Social & marketing

Social Media and Marketing Promotion

We'll create the highest quality promotional videos for your business, powered by our strongest AI content creation tools. Choose between three tiers, each built for a different goal.

Level oneClick here

UGC Creation

Unboxings, reviews, ASMR, and whatever else is currently trending — built to look native to the feed and engineered to get views.

Level twoClick here

Broadcast-Quality Adverts

A polished product advert to the same standard you'd expect on TV — perfect for launching a product, a new clothing line, or a new service.

Level threeClick here

Cinematic Media

Full-fledged media on par with a short film — the highest quality characters, environments, and effects, including VFX and motion blur.

Quality has been slightly reduced for web upload — every video SELKO produces is delivered in 1080p - 4K resolution.

03Level
Three

Cinematic Media

Full-fledged media on par with a short film — the highest quality characters, environments, and effects, including VFX and motion blur.

One video. Total craftsmanship. Built to be your flagship.

At this level, you're not buying content — you're buying a commercial. One single, complete piece of advertising, engineered start to finish with the same level of detail, continuity, and cinematography as a national TV spot.

Take a real example already live on our page: a headphones brand ad. One character, one product, one continuous story — carried seamlessly across five completely different locations, multiple wardrobe changes, and a full narrative arc with a genuine payoff at the end. That's the bar for this tier.

Total character consistency

Same guy, same headphones, same face, same product — across five completely different locations and multiple outfit changes. It's the single hardest thing to fake with AI, and it holds up scene to scene.

Directed, not generated

Real camera language: a body-rig shot locked on the product while the world blurs past behind him, a worm's-eye sprint shot, tracking shots through a doorway. This moves like a shot commercial, not a slideshow.

Choreography, not vibes

Every beat — head nods, shoulder rolls, finger snaps — is hand-specified and synced to the product's own music, not a vague "he dances" prompt. That precision is what makes it read as a performer, not a glitchy AI wobble.

Prop continuity that holds

The background prop stays locked in size and position, at the right scale, in every cut of the street scene — the exact kind of continuity error that gives away cheap AI content when it's done wrong.

Lighting that tells the story

Bright morning kitchen, harsh midday stadium, continuous midday street light — each scene is tuned to the time of day the story is actually telling, not a flat default look slapped over everything.

A payoff that's earned

The twist isn't a random gag — it's set up and paid off visually. That's what separates an ad people share from one they scroll past.

Full continuity, real camera language, product-locked shots, story-driven lighting — at a fraction of the cost and turnaround of a shoot, crew, and edit house. You're not getting an AI ad. You're getting the ad, made cheaper and faster.

The old way

What 1 flagship cinematic spot actually costs, done the traditional way

This is the real stack most brands hire to pull off exactly what you just watched above — a director, a full crew, a VFX house, a colorist, and an agency to run it all.

Director & production company

Concepting + 4–5 day multi-location shoot

$28,000

DP & camera crew

5 locations, full lighting + grip package

$18,000

VFX & CGI compositing

Character consistency, prop continuity, motion design

$30,000

Colorist, sound design & edit

One broadcast-grade finished cut

$14,000

Agency overhead

Producer, permits, insurance, account management

$12,000

Subtotal

Plus an 8–10 week production cycle

~$102,000

That's ~$102,000 and 8–10 weeks for a director, a full crew, and a VFX house to deliver one flagship spot — and character-consistency VFX is exactly where traditional budgets blow out. SELKO replaces that entire stack — the director, the crew, the VFX house, the colorist, the agency overhead — with one system that outputs the same short-film-grade commercial in a fraction of the time, at a fraction of the cost, with no location logistics and no VFX overrun risk. Same craftsmanship, same cinematic bar, dramatically less money and time. That's not a cheaper version of the traditional stack — it's the smarter one.

02Level
Two

Broadcast-Quality Adverts

Multiple polished adverts, each shot and graded to TV-commercial standard — built for launches, not just posts.

Multiple videos. Broadcast craftsmanship. Built to launch.

At this level, you're not buying one asset — you're buying a campaign. A set of distinct, complete adverts, each engineered to the same production standard as a television commercial: real casting, real cinematography, real grading.

Take a real example already live on our page: a beauty brand campaign. One consistent brand identity — carried across a cinematic product reveal, a custom-cast fashion commercial, and a full broadcast TV spot, each one strong enough to run on its own. That's the bar for this tier.

Cinematic product reveals

A product doesn't just appear on screen — it's revealed. Petals peeling back as a cap lifts, a jar rising out of a single continuous orbiting camera move with no cuts. The kind of single-take luxury shot that normally needs a motion-control rig on set.

Broadcast-grade, not social-grade

This isn't a clip built to survive a scroll — it's graded, lit, and composed to the same standard as an actual television commercial. The gap between "looks like an ad" and "looks like a brand" is exactly what this tier closes.

VFX and surreal luxury on tap

Beyond straight product shots, this tier reaches into full visual-effects territory — uncanny, dreamlike luxury aesthetics for brands (perfume, jewelry, fashion, high-end tech) that need to look aspirational, not just clean.

1 / 6

Custom casting, every time

No stock models. Every face is built specifically to match your brand's aesthetic — styling, tone, presence — so every advert looks like it was cast for you, not pulled from a library.

One consistent identity across every advert

Colour palette, mood, and visual language carry through every video in the set. Run them together and they read as one campaign — not a handful of unrelated clips stitched together.

Your own space, elevated

The backdrop doesn't have to be generic — it can be built from your actual store, showroom, or space. Real environment, real product, shot with the same cinematic camera language as a luxury campaign.

Studio-grade casting, lighting, and camera work — the polish of a TV commercial — without the production budget of one. This is how you launch a product, a line, or a service looking like a brand that's already arrived.

The old way

What a 6-advert broadcast campaign actually costs, done the traditional way

This is the real stack most consumer brands hire to pull off exactly what you just saw above — casting, a videographer, a director, a colorist, and an agency to run it all.

Casting & talent fees

Custom-cast models across 6 shoots

$10,000

Videographer & crew

4 production days, studio + location

$14,000

Creative director

Concepting, styling, on-set direction

$9,000

Colorist & editor

6 broadcast-grade finished cuts

$15,000

Agency overhead

Producer, wardrobe, account management

$10,000

Subtotal

Plus a 5–6 week production cycle

~$58,000

That's ~$58,000 and 5–6 weeks of casting, shooting, and grading six separate spots before you've even booked media to run them — and that's assuming the shoot goes to plan. SELKO replaces that entire stack — the casting, the crew, the director, the colorist, the agency overhead — with one system that outputs the same six broadcast-grade adverts in a fraction of the time, at a fraction of the cost, with no shoot day to schedule around and no reshoot risk. Same campaign, same broadcast polish, dramatically less money and time. That's not a cheaper version of the traditional stack — it's the smarter one.

01Level
One

UGC Creation

Real-person content built to feel native to the feed — unboxings, reviews, street interviews, ASMR, whatever's trending. Not an ad. A recommendation from a friend.

Fifty-plus videos. Real-person craftsmanship. Built to flood every feed.

At this level, you're not buying one polished asset — you're buying volume. A high-frequency drop of real-feeling content, each clip a different person, different hook, different setting, all pushing the same product.

Take a real example already live on our page: a natural juice brand campaign. 100 UGC videos generated across five distinct formats — street interviews, unboxings, product reviews, entertainment hooks, and ASMR — the exact range you need to hit every corner of a feed without repeating yourself once.

Real people, real reactions

Genuine-feeling avatars with natural reactions, natural handling of the product, natural delivery. Not a spokesperson reading a script — someone discovering something, on camera, for the first time.

A different hook every time

Product crush, epic fail, a random object doubling as a microphone, a stranger stopped mid-walk — every clip opens differently, so the same product never feels repeated across a feed.

Any audience, any setting

A 20-something on a rooftop, a grandmother in her kitchen, a car, a store aisle — avatar age, tone, and location matched to whichever audience segment you're actually trying to reach.

Every format that converts

Street interviews, unboxings, product reviews, entertainment, ASMR — the highest-converting formats on the internet right now, covered in one drop instead of one at a time.

Consistent product, every take

The bottle, the label, the packaging — locked and identical across every single clip, no matter how many different people, settings, or hooks it appears in.

Volume without the wait

100 videos, generated and approved in batches, ready the same day — the kind of output that would take weeks and twenty different freelancers to coordinate the traditional way.

This is what actually floods a feed — dozens of real-feeling clips, covering every angle, every hook, every audience, for a fraction of what it costs to brief and manage even a handful of creators the old way.

The old way

What a 100-video UGC campaign actually costs, done the traditional way

This is the real stack most consumer brands hire to pull off exactly what you just saw above — creators, a videographer, a director, an editor, and an agency to run it all.

UGC creator fees

100 videos at $300 each

$30,000

Videographer

6–8 production days at $2,000–$3,000/day

$18,000

Creative director

5–7 days concepting + on-set direction

$15,000

Editor

100 finished cuts at ~$200 each

$20,000

Agency overhead

~16% markup + account management

$16,000

Subtotal

Plus a 6–8 week production cycle

~$99,000

That's ~$99,000 and 6–8 weeks of coordinating five different people just to get 100 videos out the door — and that's before you know if a single one of them performs. SELKO replaces that entire stack — the creators, the videographer, the director, the editor, the agency overhead — with one system that outputs the same 100 videos in a fraction of the time, at a fraction of the cost, with no production cycle to wait on and no coordination tax to pay. Same volume, same range of formats, dramatically less money and time. That's not a cheaper version of the traditional stack — it's the smarter one.